After several collaborative projects with Oren Ambarchi, Francis Plagne, James Rushford, and Leif Elggren, Beside Myself, just issued on Students of Decay, marks the first solo material that the nomadic sound artist, Crys Cole, has released in five years. Beside Myself finds Cole continuing to shape highly textural sounds through the subtlest of gestures. The…
Welcome to Free Form Freakout’s new weekly Stay-at-Home Edition. With access to the KMSU studios being restricted for the time being and with Gov. Walz providing us with his invaluable press conferences during our usual 2 o’clock afternoon time slot, I thought this would be a good opportunity to attempt to learn some new home…
We are very pleased to have Thomas D’Angelo joining our Free Form Freakout “team” for a semi-regular column of reviews and random music & art musings that he’s calling Mutually Assured Marginality. We always admired the level of detail and the razor sharp wit that D’Angelo displayed with his former print zine, Put the Music…
On this episode of the FFFoxy Podcast, we dig deeper into the work of Louisville-based, Sophomore Lounge, a label that has been active for well beyond a decade and has issued over 100 releases from artists that cover a broad spectrum of homespun, DIY sounds.
In this week’s installment of Failure Of All Pop, Glenn Donaldson put together a mini-round-up on recent releases from the French micro-label, Hidden Bay Records, and he included a bonus review of the House Deposit release out on Spoilsport Records.
We are pleased to be co-releasing the latest album from Magnetic Ghost called Pixels on out in-house label, Round Bale Recordings.
In this week’s installment of Failure Of All Pop, Glenn Donaldson reviews new releases from The Native Cats, Metgumbnerbone, and King Krule.
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